“Everybody wants to know art. Why not make an effort to understand the song of a bird?…those who make an effort to explain pictures are generally barking up the wrong tree.” – Pablo Picasso
What Picasso says about understanding art is very related to the way we approach abstract paintings. Lots of people think that abstract paintings will need to have a certain meaning of some sort, which could be clearly understood and articulated if only they knew how. This misconception is not really helped through the endless availability of people prepared to spout nonsense as to what they believe the artist was seeking to say. The almost inevitable consequence of this situation is that people either can feel as if these are being excluded from sharing in a few secret knowledge, or alternatively conclude that Extra Large Paintings is actually all a sham. Either way, the effect is that many individuals usually do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark so far as my very own paintings are concerned. Basically If I experienced a specific message or even a which means I was able to articulate in words, i would articulate it in words – the painting would have no purpose. The complete reason for creating an abstract painting is that it embodies something which only it could, in a way in which can not be placed into words. It is really not an essay it is a painting – it encompasses and expresses things in a language that is certainly unique towards the medium of paint. For this reason we must not attempt to ‘understand’ abstract paintings in how people sometimes feel they ought so that you can.
The viewer should not look for a clear narrative inside an abstract painting – it is far from likely to tell a story, or reference another ‘subject’ in a similar manner that the figurative painting will. But that does not necessarily mean there is absolutely no meaning or no subject, or that abstract paintings cannot get in touch with and move people. When asked about subject material, the Abstract Expressionist artist Jackson Pollock said, “I am just the subject”. Pollock’s statement is not just true, it is inevitable.
The experiences, personality, memories and mood in the abstract artist cannot help but be fed into the painting in the event the artist approaches the job within an open and honest way. I do not require another subject or idea before I can create Extra Large Paintings – I simply begin. The truth that I am me with no-one else is the reason why my work different to anyone else’s, and the same wzjtrs true of all the artists. The colours I choose, the marks a make, the accidents I choose to go out of, or obliterate, they are all things that I choose because of who I am just.
If you decide to present a number of different artists with similar basic design on a canvas and ask them to pick-up a brush and develop the painting, the variations in the things they would elect to do will be enormous. I have watched other abstract artists at work on paintings and thought “I would never in a million years have chosen that colour and place it there.” Not because I think it is wrong or bad, but since they are who they really are and (to quote that other leading artist, Morrisey!) “only I am just I”.
Abstract paintings – There are many great styles of painting available, arising from a rich art history which includes seen movement after movement. The term abstract art is usually used a blanket term to describe non-representational art – which is the deficiency of recognisable subjects. Abstract art was connected to the rise of modernism over the last century, getting into the mainstream with abstract expressionism in post-war art yet still continuing to influence artists today.
What brought about the qualities we have seen in abstract art? The flattening of the artist’s canvas surface is just one major quality, as artists moved away from a convincing illusionism towards broader-minded thinking. With all the invention of photography releasing the artist from painting as a means of recording reality, they began seeing the canvas surface being an object in their own right, using the canvas becoming a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and started to form their own qualities according to the way it was handled. The paint could exhibit ‘personality’, it had its very own dimensions and exposed a range of different techniques we see in artwork from the last century. One of the primary reasons artists began Contemporary Abstract Painting inside an abstract way was the opportunities for greater creativity. It allowed for a greater range of expression and the development of ideas that were not dependent on representing reality any more.